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Spotify celebrates Wizkid’s “Ojuelegba” 10 years anniversary

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Spotify, an online streaming platform, on Tuesday celebrated Wizkid’s “Ojuelegba” 10 years anniversary.

Spotify’s Head of Music, Sub Saharan Africa, Phiona Okumu, in a statement in Lagos, said the song had so far recorded over 55 million streams since its release in 2014.

Okumu said Spotify had released a special anniversary film to celebrate this milestone, capturing the song’s influence and journey over the years.

“Today marks the 10th anniversary of Wizkid’s groundbreaking single, “Ojuelegba”, a song that helped define the global rise of Afrobeats and continues to resonate with millions of listeners around the world.

“Since its release in 2014, Ojuelegba has achieved more than 55 million streams on Spotify, hitting that milestone in April 2024.

“From reaching one million streams in August 2015 to crossing the 10 million mark by January 2018, Ojuelegba’s journey to over 55 million streams on Spotify a decade later, reflects the global growth of Afrobeats and its increasing presence on the world stage.

“The song’s success stems from its strong and widespread popularity across diverse markets. Over the last decade, Spotify data shows an impressive global reach for “Ojuelegba.

“The United States, United Kingdom, France, Nigeria, and the Netherlands are the top five countries streaming the song.

“During this time, the song has solidified Wizkid’s legacy as one of Africa’s most influential artistes,” she said.

Okumu noted that Spotify’s data revealed the city streaming Ojuelegba the most as Lagos, particularly in the month of August.
She explained that the song paid homage to Ojuelegba, one of the most popular places in Lagos.

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“Following Lagos, the cities of London, Port Harcourt, Abuja, and Nairobi round out the top five cities streaming “Ojuelegba”.

“This list showcases the song’s continued dominance in major cities across Wizkid’s home country, Nigeria and globally.

“Ojuelegba is popular amongst audiences of all age, the largest demographic in the past year has 43 per cent of listeners aged 18 to 24. This highlights its ongoing relevance to today’s youth.

“The song has also drawn significant interest from older listeners, with 23 per cent of plays coming from individuals aged 25 to 29, and 13 per cent from those aged 30 to 34.”

According to her, Ojuelegba is seen as a cultural phenomenon and not just a hit song.

She said the lyrics captured the essence of Wizkid’s journey, blending the vibrancy of Lagos street culture with a message of resilience and hope.

She noted that the music had become a gateway for many international listeners into the world of Nigerian music, influencing artistes, fans, and industry insiders alike.

“With its 10th anniversary, Ojuelegba continues to be celebrated as one of the most iconic Afrobeats tracks of all time, and a testament to the power of African music on the global stage,” she said. (NAN)

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Nollywood actress decries new criteria of landing roles in films

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Nollywood Actress Jemima Osunde has condemned the act of pressurising actors to become an active social media content creators as a criteria for landing roles in films.

Osunde, who took to her social media platforms in a video clip to voice her frustration over the industry’s shift, said their aim of forcing actors to become online content creators was to promote their work.

According to her, acting should be based on talent and performance, but not forcing someone to be a social media online content creators.

The actress noted that Hollywood star Keanu Reeves had continued to thrive in the industry based solely on his craft, in spite of his minimal social media presence.

“Now they are forcing actors to be social media content creators. It is now like, ‘You see that dance? You must dance on the internet.’ Why?.

“It is like they are forcing everyone; so if you are not an actor with a social media presence, you are not going to be cast because you need to sell the film.

“That should not be my job! Like, how many times do you see Keanu Reeves when he is not on your screen as an actor?,” she wrote.

Osunde is a Nigerian actress, model, and presenter, who gained exposure after playing Leila in the television series ‘Shuga’.

She was nominated for Best Actress in a Leading Role at the 15th Africa Movie Academy Awards for her performance in ‘ The Delivery Boy’ (2018).

The actress recently debunked the rumour of undergoing a BBL surgery, where she clearly stated her personality and advocacy for natural beauty.

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She also used the opportunity to question the validity of the user’s statement, subtly pushing back against the narrative that she had altered her body surgically.(NAN)

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‘Labake Olododo’ tops Nigerian box office with N50.4m

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‘Labake Olododo,’ a movie by Alice Iyabo Ojo, has topped the Nigerian box office, grossing N50.4 million over the weekend following its release.

FilmOne Entertainment, the distributing company, shared the news in an Instagram post on Monday.

They revealed that the film marked the second biggest opening weekend for a Nollywood release in 2025.

According to the News Agency of Nigeria (NAN), Labake Olododo tells the inspiring story of a courageous woman who rises against oppression in her community.(NAN)

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Davido Makes History as Rolling Stone Africa Cover Star

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In a groundbreaking achievement for Afrobeats and Nigerian music, Davido has become the first living male artist to grace the cover of Rolling Stone Africa. This significant milestone was announced with the unveiling of Davido as the cover star for the March/April 2025 issue.

The renowned Nigerian afropop artist, celebrated for his global hits such as “If,” “Fall,” “Blow My Mind,” and “Unavailable,” has played an instrumental role in the evolution of Afrobeats and the international recognition of African music. Since his debut at the age of 19 with “Dami Duro,” Davido has established a multifaceted empire, excelling not only as a musician but also as a record label owner, mentor, and cultural ambassador. The Rolling Stone Africa cover story delves into his resilient journey, highlighting his forthcoming fifth studio album, *5ive*, and his enduring influence on the African music scene.

Obi Asika, Director General of Nigeria’s National Council for Arts and Culture (NCAC), expressed pride in Davido’s accomplishments.

“At the National Council for Arts and Culture, we are thrilled to embark on this expansive partnership with Rolling Stone Africa. It is fitting that our launch icon is Davido, one of the Kings of Afrobeats and a global ambassador for Nigerian music, culture, and fashion, who shares positive energy with his vast global audience,” Asika stated. He further added, “We take pride in Davido and all of our Ambassadors who continue to make Nigeria a focal point in global music, film, fashion, literature, sports, comedy, and more. Congratulations to him on his fifth album and to Rolling Stone Africa on their relaunch. Stay tuned for ‘Nigeria Everywhere’ and other unique collaborations with Rolling Stone.”

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D.R. Bellegarde Smeralda, CEO of Rolling Stone Africa, also lauded Davido’s contributions to Afrobeats and Pan-Africanism.

“To kick off our partnership with the National Council for Arts and Culture in Nigeria, which will introduce our monthly segment called Nigeria Everywhere, we could not have chosen a more fitting cover story than Davido’s,” Smeralda remarked. “Davido has long been a stellar ambassador for Afrobeats and Nigerian culture on a global scale, and it is inspiring to see what he and his team have accomplished in music and beyond, consistently promoting Pan-Africanism.”

Rolling Stone Africa, launched in August 2024, aims to celebrate African music, culture, and narratives, functioning through a joint venture between the Mwankom Group and Penske Media Corporation (PMC). A portion of the magazine’s proceeds supports charities focused on preserving African history and promoting children’s welfare, underscoring its commitment to making a meaningful impact beyond entertainment.

Follow Rolling Stone Africa on Instagram, TikTok, Facebook, LinkedIn, and YouTube for the latest updates. Davido’s feature on the cover is not just a milestone; it embodies the unstoppable momentum of Afrobeats and the global influence of Nigerian culture.

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